I started out wanting to change the world and get to grips with my own experience of existing. This was when I realised that the sense of touch was fundamental to being present and interacting with the world. I make work to be touched as an alternative to the culturally dominant voyeuristic and passive gaze of digital life. To make and create connections.
I let the clay and my sub-conscious guide my pieces and often get lost in the indulgence of the making process. The world is a complicated place so I like to keep things simple. I am fascinated with imperfections and like to relinquish a little control and utilise the properties of the clay. I believe the Japanese call it Wabi-Sabi.
Making work from the earth connects me to it. My favourite hang-out is the beach and I love walks in the woods. A spiritual connection to the natural world along with a sense of impermanence and the appreciation of the fragility of life. I have always been fascinated with the idea that objects and environments exist beyond the lifespan of any one person. And every place or space is in constant flux.
Life & influences are inevitably brought into the mix. I connect with my female textile heritage and incorporate an essence of this into my work. I value the beauty of minimalism and identify with concepts of Zen. My aim is to capture a freshness and spontaneity to create work that is constantly developing.